It’s been awhile since we caught up with Nelson Slater; in fact, if memory serves, our last blog entry dates back to the release of his Steam-Age Time-Giant album. Turns out Nelson has another LP in the works, this project involving extensive collaboration with Tom Derwent, who’s worked with Nelson for a long time now. Nelson, who’s had more band names than Kiss has had farewell tours, has christened his present ensemble Andylouisian Dogs, and the release-in-progress is Unknown and Unsung. I’ve heard a rough mix of the recording, and I sent a CD of it to David Hintz, whose DC Rock Live is a much-read blog that does a great job of covering the wide range of music that hits Washington, DC. Dave was impressed with the record, and you can read his thoughts about it here.
Other new Nelson Slater news dates back to 1977 and a live performance by Alex Chilton. One year after the release of Nelson’s Wild Angel—an album that Lou Reed produced and played on—Alex Chilton recorded a live cover of one of the songs on that LP. It wasn’t until this year that an album came out of that performance. Live at the Ocean Club ’77 is a 2-LP vinyl release on Norton Records. It’s a great-sounding record cut straight from the master tapes. The final song on the record was Nelson’s “Dominating Force” from Wild Angel. It’s great to see this affirmation of Nelson’s songwriting talent surface now, after existing in a bubble all these years. Great song, great performance:
On Saturday (8/10) Nelson Slater will be performing at Fries Cafe in Clifton. As I reported in a recent blog entry, Nelson just released a new album on vinyl that is a long-awaited follow-up to Wild Angel, which was produced by his old college friend and bandmate, Lou Reed. This is one those shows that should “bring ’em out of the woodwork,” as fans and friends of Nelson Slater are many. Among other things, the show provides an opportunity to buy a copy of his new LP.
I was happy to see that The Hunt,a movie shot by a Danish director, is still at The Esquire, as it’s the best new movie I have seen since The Double Hour in 2011. More than with most movies, a plot summary would be ill-advised if you haven’t seen it, so I won’t go there. I will say it’s a disturbing very movie, but is not without heart – in fact, that’s among its most redeeming qualities.
In spite of the threat of rain there was a good crowd at the Etienne Charles show at Seasongood Pavilion yesterday, which shows that there is still an audience for jazz. That in turn renews my conviction that the Blue Wisp can overcome its growing pains and connect with a wider audience. Part of the equation is fresh new blood, and that’s one of the strengths of the It’s Commonly Jazz series, which has focused on younger musicians with new ideas. There’s still three shows left in the series, which takes place the next three Thursdays from 6pm to 8pm and is free.
It was twenty years ago today that Nelson Slater first spoke to me about releasing his follow-up to Wild Angel, an LP that came out on RCA in 1976. I’m happy to report that the album has now appeared; it’s called Steam-Age Time Giant, and it came out (as should every album) on vinyl. Here’s a link to a recent blog entry I wrote about the record:
This Friday, April 12 Nelson will be playing at Daniel’s Pub, which is still there after all those wild years, at 2735 Vine Street. Great things have been happening on Short Vine lately (including some new developments at Bogart’s), and this will be an opportunity to bring some of the old spirit back. Going to Daniels will bring back old memories for us veterans and launch new ones for the newcomers. Folks, this is an event, let’s get out and show some support! The music starts at 9, Something Groovy will be Nelson’s special guests, and other performers include Grow Horns, Large Hadron Collider, and The Special People. Also, rumor has it (we’re not certain yet if this is just another one of those unfounded internet rumors) that Mr. Jerry Parker will be in attendance Friday evening.
Last night my friend Nelson Slater dropped by accompanied by his loyal and sometimes cantankerous canine Riley Martin. The three of us chilled out and played records, which is nothing new, except this time something special was on the turntable.
More than 35 years have passed since Nelson released his first LP, Wild Angel. The record was produced by Lou Reed, who roomed with Nelson at Syracuse University. The two of them played together in bands before the Velvet Underground formed and then remained friends. Since Wild Angel Nelson has continued to play music, and lots of it; every time I visit his house I see stacks of cassette tapes that contain music he and his cronies have taped over the years. But a new, full-length LP on vinyl has eluded him—until now, that is. Continue reading “New Nelson Slater LP Out on Vinyl!”
I had a nice visit today with Nelson Slater, who dropped by to trade two LPs of particular interest to me for a box of 45s of particular interest to him. If you don’t know Nelson, he’s a fellow Cliftonite who has done contract work for Gaslight Property. Nelson attended Syracuse University in the early 1960s, where he befriended and played music with a guy named Lou Reed, who ended up forming a band that was pretty good and then went on to have a solo career as well. Nelson also penned a couple great song in the soul vein that have become what I will refer to as obscure classics: “Get Out” by Tommy Sears and “Symphony” by Andy & the Marglows. Here are youtube links to hear those songs:
In 1976 Nelson released an album called Wild Angel on RCA; Lou Reed produced the record and performed on it. He continues to perform all over the country and release new music. While Nelson was here I had a chance to catch up with what was going on musically and otherwise. Continue reading “Nelson Slater Pays a Visit”