When the Esquire Theatre reopened a couple decades ago, many of us hoped it would show a healthy percentage of experimental or “art” movies from around the world, and fortunately it has. Because of the historic Clifton theatre, we have a place to see movies by directors like Spanish director Pedro Almodovar, whose Women on the Verge of a Nervous Breakdown is probably his most famous film. His 2011 film, The Skin I’m In, was a brilliant and spine-chilling study of gender and identity. For reasons that do not need explaining if you saw the film (and would spoil the film if you haven’t), I felt serious non-comfort while watching the film, but I walked away knowing that I had undergone a unique and intense film experience.
Almodovar’s new film, I’m So Excited, is night-and-day different from its predecessor, to the point where I wouldn’t have known it was the same director…except both films are miles from mainstream cinema. In fact, one of the intriguing things about I’m So Excited is how this silly, wacked-out and absurd flick references conventional movies and TV shows while turning them on their head. Continue reading “New Movies at The Esquire Theatre”