There’s been a resurgence of interest in stereo equipment in the last few years,with much attention on vintage equipment that, even though it’s decades old, still sounds good – and looks good too! Where do you find such equipment, though? Often record stores have a few components around, but there isn’t much to choose from, usually.
But there will be gobs of equipment to choose from at the Vintage Audio Swap Meet taking place on Saturday, July 11. For the last seven years this event has been taking place at my friend’s house, but it’s gotten so popular that he’s outgrown it.
So now he’s partnering with Parts-Express to hold the swap meet in conjunction with their annual “Midwest AudioFest” on July 11, starting at 8:00 AM. Here’s a link to the website.
There will be everything from Audio Alchemy to McIntosh to Marantz, Pioneer, Krell, Acurus, Infinity, Bose, Teac, Revox, Sansui and so much more! Amps, preamps, speakers, turntables, reel to reel decks and plenty of parts, raw drivers and a whole lot more! You can buy equipment – or trade – or sell your own equipment.
Here’s where the swap meet is taking place: Parts Express• 725 Pleasant Valley Dr. • Springboro,OH 45066 • USA • Parts-Express will have a registration form online but registration is NOT required. If you have any questions, call them at (937) 743-3000.
Gaslight Property is a proud sponsor of the 2015 Northside Rock and Roll Carnival. This all-ages free event will take place from Thursday through Saturday, July 2nd, 3rd, and 4th. The music takes place at Hoffner Park, where the pavilion will be a Beer Garden. Along with music, carnival-goers will be treated to fire breathers and a carnival side show features sword swallowers and a bed of nails.
This year’s carnival definitely features a strong and varied lineup, with some of Cincinnati’s best bands as well as a slew of out-of-town groups. No doubt a huge crowd will be on hand on Thursday night when Wussy, a Cinci band that now has a national audience, takes the stage at midnight. Of the out-of-town groups, the one I like best is Wildhoney, who start at 8:05pm on Friday. Here’s the schedule for the event:
THURSDAY JULY 2
6:00 THE STEALTH PASTILLE 7:00OHIO KNIFE 8:00MASON SCHOOL OF ROCK 9:00JEREMY PINNELL 10:00THE HARLEQUINS 11:00NUDE BEACH (NEW YORK) 12:00WUSSY
FRIDAY JULY 3
6:00 COMET BLUEGRASS ALLSTARS 7:00 OLD CITY 8:00R. RING 9:00 NOMAD 10:00 BEAT AWFULS (LEXINGTON) 11:00 CAVE (CHICAGO) 12:00 SAINTSENECA
6:00 DANIEL WAYNE AND THE SILVER LININGS 7:00 THEE TSUNAMI’S (BLOOMINGTON) 8:05 WILDHONEY (BALTIMORE) 9:00 DAAP GIRLS 10:00 FLESH PANTHERS (CHICAGO) 1:00 THE GOTOBEDS (PITTSBURGH) 12:00 THOSE DARLINS
Last week I paid my first visit to the Clifton Branch Library, and I couldn’t have timed it better. This was during what will forever be remembered as The Great Blackout of 2015 – the power was off all over Clifton, and it lasted for a couple hours. I live a few blocks away from the library, and I assumed that even though the power was down in my building the new branch would be fully operational. Turns out the power was off there too, although that didn’t stop lots of people from going in and out of. It was fun roaming around the darkened rooms where Boss Cox used to hold court while getting a taste of both the old and the new. Librarian Eric Davis showed me around the place, and I snapped some photos while discussing features that the new, much larger location offers that the older one didn’t. The new things include two meeting rooms, one with a huge TV screen. The porch has several chess/checker boards, and looks charming; also, there are bike racks. There are more computers than in the old place; the branch now has 12 PCs and 4 Macs in one room, 8 teen computers, and 5 for kids. There’s a solarium that’s already a hit with children, plus a reading room with lots of natural lighting. The new place also has study carrels where you can plug in electronic devices. It seems to me the library did a seamless job of blending new technology with the warm old architecture that characterizes the building and the Gaslight District in general. Below are a bunch of photos, most of them taken before the lights came back on.
Prime Numbers is the debut album of Brad Myers, a guitarist who’s among the busiest and most high-profile jazz musicians in Cincinnati. The album, which comes out today, has something in common with midcentury modern furniture—sleek, with clean lines, it’s marked by clarity and focus, with an understated postbop coolness. It makes sense that, on this album that primarily consists of the bandleader’s originals, two of the three covers, though decades old, could not seem more modern. Wayne Shorter “The Big Push” and Thelonious Monk’s “Evidence” will forever sound fresh. It’s interesting to hear a tune composed by Monk—who was, after all, a pianist—played without a piano. Here the highly impressionistic and typically sparse harmonic coloring is provided by both Myers and the vibes player Chris Barrick. Without block chords on the piano to potentially gunk up the works, the musicians have all kinds of wiggle room, and their creative use of space takes us to the heart of Monk. The strongest performance may be “Rule of Threes”; it’s certainly the most ambitious, a sprawling and fractured narrative that clocks in at 11:40. The lineup on Primary Numbers is primarily a quintet that includes the tenor saxophone work of Ben Walkenhauer; the tenor can be the heaviest of horns, but here it shares the introspective and lyrical vibe that characterizes the rest of the ensemble. Jazz guitar has a healthy tradition of colorists with a feather-light touch; here Jim Hall and Bill Frisell would seem like influences. Myers may be heard to best effect on his own “You Are Here,”, a sweet ballad that inspires some of his warmest playing. Prime Numbers is a damn good album, and it helps underscore the paradigm shift that has recently taken place in Cincinnati. Last year things certainly looked bleak for jazz in these here parts. The increasingly chaotic Blue Wisp ultimately closed, and we had cause to wonder if the Blue Wisp Big Band would ever find a comfortable home. Well, guess what? Urban Artifact is a hip new venue that hosts lots of jazz, including, every Wednesday, the Blue Wisp Big Band; you can read about it in this previous blog entry. A true tenor heavyweight, recent greater Cincinnati transplant JD Allen released Graffiti, a smoking new album, on Savant in mid-May. The Cincinnati Jazz Hall of Fame was just launched, and Ran Blake just paid tribute to the great composer and musician George Russell, who grew up in Walnut Hills, played in jazz clubs here while in high school, and went on to change jazz history. Blake’s album is called Ghost Tones, and you can count on it and the new JD Allen to show up at the top of best-of lists at the end of 2015. Cincinnati has an amazing jazz history, and it also has a future. If you want a taste of both, check out Brad Myers’ CD release show at Urban Artifact this Thursday; here’s a link to the event. The show is free, but there will be plenty of CDs for sale. Here’s a live performance of “Spherical,” one of the cuts on Prime Numbers: